Suzanne's BIO:
![]() One possible reason Jarvie kept her musical voice
silent for so long was being stricken with terrible stage fright as a young
child when she was asked to sing “Silent Night” at a Christmas concert. In high
school, at age 16, she fell hard for a cool boy in her class who idolized Keith
Richards. She decided to take guitar lessons as a way to impress him. The love
was unrequited and the plan failed but… Suzanne kept playing and singing, and
eventually in her 20’s was exposed to and drew inspiration from the likes of
Gram Parsons and Emmylou Harris.
![]() As Suzanne and her family continue to recover from these health challenges, she found the courage to record her stunning debut album about this raw, deeply personal and painful journey, 'Spiral Road', produced by the Canadian multi-instrumentalist and music producer, Hugh Christopher Brown (Bourbon Tabernacle Choir). He says: "Gregor Beresford had told me about his friend Suzanne who was a lawyer, a mother of four, and secretly, one of the best singer-songwriters he ever heard. When I then came to hear Suzanne with my own ears, I was rapt from her first line. Her voice and writing weave to hold you in her presence. She is blessed with a grace that eases acceptance of mystery." -----
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![]() Suzanne's TRACKS: 1. "Before And After": A stunning opener, setting the tone for the album. It features background vocals by the legendary Holmes Brothers and some crisp banjo playing. "Blaze or burn out like a dying star" - great poetry.Yes, it's very clear that Suzanne took her early inspiration from Emmylou Harris, but she puts much more feeling into her vocal delivery. 2. "2458": A melancholy waltz with a beautiful solo on the Hammond organ, telling the story of a lengthy stay in the hospital room and all the emotions, especially being powerless, in the whole process - to do something essential yourself. No matter the circumstances, I think we've all been there once and can relate to this song. 3. "Spiral Road": A video of the title track captures the journey detailed in the lyrics. References are made to the First Nations culture, which gives this positive sounding uptempo song a special mystical feeling. Mickey Raphael plays the harmonica. 4. "Never Gonna Stop": "Glass cathedral under rain". Despite the doctors saying the boy wouldn't survive, his parents never gave up hope that he would come back from his coma. Suzanne herself hummed a lullaby and his father played a ukulele and sang Leonard Cohen's "Hallelujah" in the ICU. Great build up into a rock song! 5. "Tears Of Love": A comparison could be made with Trisha Yearwood in this sensitive country ballad, with some tasteful piano - almost sounding like a hymn. 6. "Enola Gay": Looking this up on the Internet, I found out that it was the name of the B-29 plane (named after the pilot's mother) that dropped the first atomic bomb. This also explains the mentioning of burning radiation. A somewhat pretentious rock song, that seems a bit out of place - despite the obvious good intentions. 7. "Angel Of Light": The Holmes Brothers are back in this realistically detailed gospel song. "The hospital chapel is open all night / But there's never a preacher or sinner in sight." 8. "Love Is Now": Suzanne sings with hope, optimism and joy to the powerful spirit of love: "Love laps the shore, and calls the war, sculpts the burning dunes of sand." 9. "Shrieking Shack": A slow rippling ballad, Chris Brown plays a farfisa organ here and the shakers are a very nice touch. The track incorporates "Smile" by Charlie Chaplin: "Smile, though your heart is breaking / Smile, though your mind is breaking" are recurring refrain lines. 10. "Wait For Me": I always like that expression 'soldier on'. Very nice violin solos! "If you board the ferry / Won't you take me too." 11. "Before And After (Redux)": The opening track comes back strong, to close off the album. Featuring Mickey Raphael's awesome harmonica and some extra mandolin in a very nice combination with the before mentioned banjo in a different mix. For some reason the picture of Suzanne in her nice, fake-fur trimmed winter
coat fits the music very well. She opens her heart to us in a powerful and
painfully realistic cycle of deeply personal, poetic story songs. Chronicling an
emotional experience of tragedy, fear of loss, but also some light,
stamina, (motherly) love, tenderness, hope and patience.
The musical style is mostly (alt)country, with influences from rock and
bluegrass. Skillfully played by a full band of great musicians like the Abrams
brothers (John on mandolin and guitar, James on violin) and Burke Carroll on
pedal steel, among many others. Arrangements and production are also top
notch.
Without getting into personal details: when somebody you love is in a coma
for a number of days, after a bad car accident, comes out but doesn't fully
recover - that's a mind shattering experience, unlike anything else in life. I
compliment Suzanne Jarvie for being so incredibly brave to record this album,
sharing her own feelings with us!
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Written &
compiled by Johanna J. Bodde - November 30th, 2014
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